(A long post. Read it anyway.)
Last week, Romance Writers of America (RWA - an organization I joined as soon as I began my romance writing career) issued a public statement about the RITAs, their annual award for the best romances in several categories. The RITA ceremony is a highlight of the annual RWA conference—nominees and attendees dress up and cheer and celebrate their accomplished peers. Plus there’s dancing afterward! It’s a fun night… or it’s meant to be.
Recent examination by RWA of its award has brought to light a serious problem, one which many had breezed past, thanks, in my view, largely to the privilege white authors have to just not notice. From the RWA statement:
We’ve only recently started collecting demographic information on our members, and that is on a voluntary basis. But from what we could determine, the statistics for black author RITA finalists from 2000 to 2017 are:
• The number of finalist books by black authors is less than half of 1% of the total number of finalist books
• No black romance author has ever won a RITA
So. Now we’re aware. And it’s a facet of systemic racism. And we can’t go on without making serious changes to dismantle systemic racism within the awards process, and within romance writing as a whole.
We all know that there are dozens upon dozens of well-qualified books that don’t make the finals each year. We’ve probably written them ourselves! The problem is, the first-round judges (that’s us – romance authors who have also entered the RITA contest) have been shown conclusively to have a bias against books written by black authors. The problem is, there is no current corrective in place to work against this systemic racism.
I admire all the brainstorming geared towards mitigating racism with the RITAs. I’m pleased to see initial ideas grown and developed. This has been happening on public forums like Twitter, and in author-only private forums. This is an issue that’s being taken seriously, and the vast majority of people who I’ve seen speak about it want addressed ASAP.
As with any discussion of race in America, it can be uncomfortable. People have been defensive, or hand-wave-y, or resorted to talking about ‘niceness’ rather than the issues. I’m sure you’ve seen it all, if you’ve participated in or witnessed discussions of systemic racism, too. (Or spent time in any comment section anywhere, frankly.)
Being uncomfortable is fine.
It means you’re not brushing aside hard truths.
It means you are willing to ask yourself, “what now?”
I entreat my fellow white authors to lead the way to change—not just because of the RITAs, but because of how deeply racism has impacted our industry. Those of us who are cis-het able-bodied neuro-typical white women need to do some heavy lifting to broaden the playing field in our industry.
As Frances McDormand said as she won an Oscar this year: “Two words… inclusion rider.”
Read more widely. (The Ripped Bodice bookstore asked publishers three questions after this year’s diversity survey: Are you happy with your numbers? If not, how do you plan to change them? Where do you expect to see your numbers go in the next three years?) Look at your own reading—what percentage of white authors are you reading? Ask yourself those same three questions.
If you’ve got a blog or are active on social media, share your excitement about some of the diverse books you’ll love reading (this is a voyage of discovery with rewards that far outweigh the costs of whatever effort you put into discovering new-to-you black authors.) Invite authors of color to share your platform.
Do you have a good relationship with books bloggers or reviewers? Take the time to tell them about the black authors you love.
And if you’ve got power in your own platform, aspire to be a Frances McDormand. Ask your agent how many authors of color she represents. Ask her what she’s doing to diversify her list. Ask her if she’ll read the manuscript of a black chapter member whose work you admire. Ask your editor if there are black copyeditors or designers or formatters who work on your books. Ask what they’re doing to combat the documented whiteness of the publishing industry. Ask what books by black authors their house is publishing soon. Ask them to invite black authors to join you at the table during book signings.
(I am an indie; my knowledge of how editor / agent relationships work comes from family in the industry and friends who are traditionally published. I feel sure that you amazing writers with big platforms can brainstorm other ideas for asking for accountability from the publishing side of this problem.)
I came to romance writing after twenty years working in a male-dominated industry. Walking into my first meeting, and later going to my first conference, and being welcomed with supportive enthusiasm from so many women (and a few men) was a feeling that sustained me through lots of long solo nights at the keyboard. It breaks my heart and casts a painful shadow across those experiences, knowing that so many black women have been actively excluded from receiving the same welcome. I’ve seen the disparity from publishers and readers; now I see how deeply seated racism is within our organization. It can’t continue. The work to change it is essential, and we must do it.
I began reading Ijeoma Oluo’s brilliant book So You Want To Talk About Race while chaperoning my high schooler’s band this week. I’m not far into it, but already have SO MANY HIGHLIGHTS. It was published in January, and it’s an excellent synthesis of many issues. And, as the title suggests, it serves as a primer on how to begin having more—and more productive—conversations about race in America.
I think we’ve accepted that the absence of black RITA winners is about race. Just in case, I’m going to quote Oluo from chapter 1, because this an important baseline for everyone:
“If you are looking for a simple way to determine if something is about race, here are some basic rules. And when I say basic, I mean basic.
“1. It is about race if a person of color thinks it is about race.
“2. It is about race if it disproportionately or differently affects people of color.
“3. It is about race if it fits into a broader pattern of events that disproportionately or differently affect people of color.”
She expands on all of these points, and I encourage y’all to read her book.
Here’s another quote, from chapter 2:
“Racism is any prejudice against someone because of their race, when those views are reinforced by systems of power.”
This working definition of racism is important, because too often conversations about race devolve into “but I personally didn’t mean that” or “I, too, experience (insert issue here) but I’m not black.”
She likens it to the approach you might take if you have cancer, and it makes you vomit. You can work to mitigate the nausea, which will make your days better, but you are still battling cancer. Improving a symptom (ensuring that you, personally, are woke) doesn’t stop the underlying problem (our world is built on systems designed to advance and celebrate white people, very often at the expense of black people.)
Another important quote:
“We cannot fix these systemic issues on a purely emotional basis. We must see the whole picture…. We can get every person in America to feel nothing by love for people of color in their hearts, and if our systems aren’t acknowledged and changed, it will bring negligible benefit to the lives of people of color…. But when we acknowledge racism as a part of a system, instead of being limited to our ability to win over racists, we can instead focus on how our actions interact with systemic racism. No, the problem isn’t just that a white person might think black people are lazy and that hurts people’s feelings, it’s that the belief that black people are lazy reinforces and is reinforced by a general dialogue that believes the same, and uses that belief to justify not hiring black people for jobs, denying black people housing, and discriminating against black people in schools.”
This is why it’s disturbing to me that branches of the ‘fix the RITAs’ conversation has gone down the coded ‘screen for good writing’ road. It’s the same reason it’s wrong that publishers hold to the ‘no one ever buys black romance’ line despite all the contradictory evidence. And why it’s wrong for white authors to say, ‘I’ve experienced dismissal or harm because I have X issue in my life’ without adding, ‘but I accept that X issue in the life of a black author complicates her life in deeper ways, because she is also trying to create HEAs in a world that tells her several times a day that she is not worthy and she is not welcome.’
For the most part, judges aren't setting out to deliberately give lower scores to books by black authors. We can’t aim to identify and root out (or retrain) individual judges and expect the problem to be solved. It’s not a problem of individuals, but a problem of systems.
As judges, we are a component of those systems. Every one of us needs to accept that, and accept the need to fix the system. And every one of us who is not an author of color needs to lead the charge, because like it or not, racism has given those of us who are white an advantage in this industry and in this organization.
We have to ask ourselves, “is there a part of me that thinks: this book about (for example) white people finding love in a small town is similar to what I write, and it fits the pattern of RITA winners, so my high score for it means I’m on the right track to win my own RITA some day?”
And, “when I’m planning my new series, am I looking at bestsellers that fit a mold, and shaping my story to fit that mold? Is that mold one that includes a diverse worldview and broadens the perception of what’s ‘okay’ according to readers?”
And, “am I resisting working towards the goal of fixing the broken RITA system and creating an organization that doesn’t fail our authors of color because the hard work means confronting uncomfortable truths about myself?”
And, “why do I think my own comfort is a higher priority than mitigating the oppression of my peers?”
And, “now that my rosy view of RWA as a place that embraces and celebrates female creators is complicated—or shattered—by learning of the power imbalance towards white women and deliberate exclusions of black women, am I content to go back to the status quo? If so, how am I fooling myself into believing that it’s truly a safe space for me when it’s not a safe space for them?”
I’m not suggesting every white author has to stop looking at market trends or loving small town romances or enjoying their royalty checks. I’m saying that we need to do so while aware that racism has played a role in our careers. Remember that this is not about individuals, but about systems.
The system now has predominately white employees of publishing houses and literary agencies choosing to publish predominantly white authors, marketing those books to predominantly white influencers, and selling those books to…all lovers of romance novels. It is designed to create an expectation that a romance is going to predominantly feature white protagonists. We are both writers and readers. We fell in love with romance novels that predominantly feature white protagonists, and began to write the same ourselves. Because that’s what the publishers wanted, because that’s what the readers ‘wanted,’ because that’s what the awards judges wanted, because that’s what the writers wrote. (I feel like I’m back at the Seder table!)
Many disruptors are at work to break this circular system. @WOCInRomance. The Ripped Bodice. Individual authors, blogs, reading groups. RWA. Fighting racism isn’t about your emotions, or defending yourself or the past. It’s about systems that must change, and what we can do individually and collectively to recognize those systems and support that change.
I don’t know how the RITAs will be fixed. It’s a bumpy road; we’ll screw up, and need reminding that it’s not about personally being right but about collectively improving. But it’s so much better to be on a road, progressing, than spinning in the same old cycles.
Thanks for reading.
Writing is a journey undertaken by the mind in conjunction with the soul....